Year

Multiple

Company

Multiple

Book covers: do it for the story.

Main Project Image

Part of my path

Reading has been my hobby ever since I was little. It started in the library, where my mom took me every Wednesday. I’d finish the books within two days and the rest of the week I’d wait in anticipation for the next Wednesday. In school, I had read all the books assigned to my grade, and moved on to books assigned for the grade above. I also wrote my own stories and eventually, in high school, I started posting them online. I became a hit on Dutch Wattpad, with over 1.5 million readers. Because of that, my favorite Dutch teacher gave me the opportunity to do a week-long internship at the publisher Boekerij Meulenhoff, I remember having the best time. I wanted to combine my passion and my creative abilities, and started designing book covers. Maybe for once, you should judge my designs by their covers.

A certain hunger

During my holiday, I read this book. I was intrigued by the original cover, which featured a portrait that almost looked like a painting. Thinking about what I felt suited the story best, I was reminded of a painting of pomegranates by Henri Fantin-Latour, titled ‘Nature morte (primevères, poires et grenades)’. The painting is a still life but it was the pomegranate that stayed with me. The pomegranate symbolizes fertility and life but also power, blood, and death; all themes explored by Chelsea G. Summers in the story itself. The main character, Dorothy, is a female psychopath and a cannibal, one who craves power and, over the course of the story, fully embraces her true, cannibalistic nature.

A tale of two lovers & Purple Poison

Both of these projects were inspired by the ‘romantasy’ scene that’s currently trending on social media platforms like TikTok. Both covers are fully illustrated and in each one I challenged myself to use a limited color palette to avoid making the designs feel too busy. ‘A tale of two lovers’ was inspired by mythology and tarot. The hands with wings were, of course, a nod to Achilles and the border design was influenced by the decorations on my very first tarot deck. With ‘Purple poison’, I wanted to capture the feeling of a luxurious book while sticking to a single color range as a creative challenge. Purple, to me, brought out the richest sense of luxury.

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There's more

Every book cover I designed has a story. With ‘The little village’, I wanted to create a book cover that felt cozy from the very first glance. This book should evoke the feeling of curling up in your chair with a good story, a warm cup of tea, a soft blanket and gentle music in the background; a true moment of relaxation, a moment to come back to yourself. It’s the kind of book you keep on display after finishing it. That’s why the spine also includes a small decorative leaf illustration. With ‘You, me, noodles at 3’, I wanted to experiment with shapes and explore how they can translate across both the cover and the spine of a book. It can be challenging to pair typography with constraints like rectangles or squares, but in this design, I feel those limitations actually draw the viewer’s eyes toward the cover and divide it into specific sections to focus on. Besides reading novels, I’ve loved reading comics ever since I was a child. At some point, I decided I wanted to try drawing them myself. It started with small comics and eventually grew into a love for vintage comic books, and for creating fan art inspired by them. I hope to design many more in the future and tell you more about those too!